PARELIMA

How to play: Parelima by 1974 AD is a popular Nepali song in the key of E. This arrangement uses standard tuning with no capo. For ukulele, use standard GCEA tuning. The main chords are E, F#m, Asus2, B, C#m, and A.


[Verse 1]

E      F#m   Asus2      E
Parelima lukai rakhana

E     F#m   Asus2       E
angaloma bandhi rakha

E      F#m   Asus2      E
Parelima lukai rakhana

E     F#m   Asus2       E
angaloma bandhi rakha

E     F#m   Asus2       E
jana nadeu roka naroka

E        F#m   Asus2               B
udna nadeu aakasko chari jastai malai


[Chorus]

C#m                      B
badhera rakha timrai mutuma

C#m                 B
yo ta timrai dhadkan ho

C#m                   B
sachera rakha timrai aakhama

A                 B
yo ta timrai sahara ho....


[Verse 2]

E     F#m   Asus2           E
manna bhitra sachi rakha na

E     F#m      Asus2      E
aakha bhitra aljhairakha

E     F#m   Asus2           E
manna bhitra sachi rakha na

E     F#m      Asus2      E
aakha bhitra aljhairakha

E     F#m   Asus2         E
ramna deuna timro aakhama

E      F#m
basa basna deu

Asus2        C#m            B
timro hridaya ko dhuk dhuki ma


[Chorus]

C#m                   B
badhera rakha timrai mutuma

C#m                B
yo ta timrai dhadkana ho

C#m                   B
sachera rakha timrai aakhama

A                    B
yo ta timrai sahara ho

Chords Used

  • E — E major
  • F#m — F-sharp minor
  • Asus2 — A suspended 2
  • B — B major
  • C#m — C-sharp minor
  • A — A major

Song Info

  • Artist: 1974 AD
  • Key: E
  • Capo: No capo
  • Guitar Tuning: Standard EADGBE
  • Ukulele Tuning: Standard GCEA
  • Difficulty: Intermediate

Strumming Pattern

The listed rhythm follows a steady four-beat pattern: 1   2   3   4   &. Start slowly with consistent down-strums, then add up-strums between the beats for a smoother acoustic feel.

Practice Tips

  • Start with the opening progression E → F#m → Asus2 → E. This pattern repeats several times.
  • Pay particular attention to the transition between F#m and Asus2, as it appears frequently.
  • The chorus uses C#m → B repeatedly, followed by A → B. Practise these changes separately.
  • Asus2 gives the verse its characteristic open sound, so let the strings ring rather than cutting the chord short.
  • For Verse 2, practise the E → F#m → Asus2 → E progression first before adding the longer lyric phrases.
  • Keep the strumming relaxed and even. The song works particularly well with a gentle acoustic accompaniment.
  • No capo is required for the chords as written.
  • Use Intermediate mode above to display the chord diagrams inline.